The piano has always had a
special place in music in the United States. Because one can play on it
several notes at once, it can be used in substitution for a band. This
quality has attracted composers; there has been far more music written for
piano, or the keyboards in general, than for any other instrument. And
because a piano can, in effect, accompany itself, for a century it has been
the basic instrument for the playing of popular music.
This was especially so during
the decades around the turn of the century. In the years before the First
World War (1914-1918), most families in the United States felt it important
to own a piano, no matter how poor they were. People who could play the
piano were welcome visitors and were generally cajoled into playing the
latest popular tunes.
But it was not just in the
home that the piano flourished. It was the basic entertainment tool in
cabarets, clubs, and restaurants, just as it is today. The piano, thus, was
central to the social lives of people in the United States, and in the
period between the Civil War (1861-1865) and the First World War, there grew
up a considerable industry devoted to it: the popular music business, a
huge trade in instructional schools and mail order lessons, and, of course,
the selling of pianos themselves.
Inevitably a large corps of
virtuoso professional piano players developed. These “professors” or “ivory
ticklers” were not necessarily trained in the classical European tradition.
Most, although not all, either were self-taught or studied with older
ticklers who themselves had little experience with the classical tradition.
Despite the lack of European-style training, many of these players
possessed astonishing techniques that, if not well-suited to classical
piano compositions, were exactly right for producing the showy effects with
which these professors impressed audiences and competing pianists. Fast
arpeggios, octave runs, and other great splashes up and down the keyboard
were practiced endlessly.
These ticklers were the
people who developed and popularized ragtime; it is no accident that the
most popular music of the period was a piano form. And of course, when jazz
came into fashion, they were caught up in this new music.
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