READING
PASSAGE 1
You
should spend about 20 minutes on Questions 1-13, which are based on Reading
Passage 1 below.
A
|
The Lumière Brothers opened
their Cinematographe, at 14 Boulevard des Capucines in Paris, to 100 paying
customers over 100 years ago, on December 8, 1985. Before the eyes of the
stunned, thrilled audience, photographs came to life and moved across a
flat screen.
|
B
|
So ordinary and routine has
this become to us that it takes a determined leap of imagination to grasp
the impact of those first moving images. But it is worth trying, for to
understand the initial shock of those images is to understand the
extraordinary power and magic of cinema, the unique, hypnotic quality that
has made films the most dynamic, effective art form of the 20th century.
|
C
|
One of the Lumière Borthers’
earliest films was a 30-second piece which showed a section of a railway
platform flooded with sunshine. A train appears and heads straight for the
camera. And that is all that happens. Yet the Russian director Andrei
Tarkovsky, one of the greatest of all film artists, described the film as a
‘work of genius’. ‘As the train approached,’ wrote Tarkovsky, ’panic
started in the theatre: people jumped and ran away. That was the moment
when cinema was born. The frightened audience could not accept that they
were watching a mere picture. Pictures were still, only reality moved; this
must, therefore, be reality. In their confusion, they feared that a real
train was about to crush them.’
|
D
|
Early cinema audiences often
experienced the same confusion. In time, the idea of films became familiar,
the magic was accepted- but it never stopped being magic. Film has never
lost its unique power to embrace its audience and transport them to a
different world. For Tarkovsky, the key to that magic dynamic image of the
real flow of events. A still picture could only imply the existence of
time, while time in a novel passed at the whim of the reader. But in
cinema, the real, objective flow of time was captured.
|
E
|
One effect of this realism was
to educate the world about itself. For cinema makes the world smaller. Long
before people travelled to America or anywhere else, they knew what other
places looked like; they knew how other people worked and lived.
Overwhelmingly, the lives recorded at least in film fiction- have been
American. From the earliest days of the industry, Hollywood has dominated
the world film market. American imagery-the cars, the cities, the cowboys
became the primary imagery of film. Film carried American life and values
around the globe.
|
F
|
And, thanks to film, future
generations will know the 20-th century more intimately than any other
period. We can only imagine what life was like in the 14th century or in
classical Rome. But the life of the modern world has been recorded on film
in massive encyclopaedic detail. We shall be known better than any
preceding generations.
|
G
|
The 'star' was another natural
consequence of cinema. The cinema star was effectively born in 1910. Film
personalities have such an immediate presence that inevitably, they become
super-real. Because we watch them so closely and because everybody in the
world seems to know who they are, they appear more real to us than we do
ourselves. The star as magnified human self is one of cinema's most strange
and enduring legacies.
|
H
|
Cinema has also given a new
lease of life to the idea of the story. When the Lumiere Brothers and other
pioneers began showing off this new invention, it was by no means obvious
how it would be used. All that mattered at first was the wonder of
movement. Indeed, some said that, once this novelty had worn off, cinema
would fade away. It was no more than a passing gimmick, a fairground
attraction.
|
I
|
Cinema might, for example,
have become primarily a documentary form. Or it might have developed like
television -as a strange noisy transfer of music, information and
narrative. But what happened was that it became, overwhelmingly, a medium
for telling stories. Originally these were conceived as short stories-
early producers doubted the ability of audiences to concentrate for more
than the length of a reel. Then, in 1912, an Italian 2-hour film was hugely
successful, and Hollywood settled upon the novel-length narrative that
remains the dominant cinematic convention of today.
|
J
|
And it has all happened so
quickly. Almost unbelievably, it is a mere 100 years since that train
arrived and the audience screamed and fled, convinced by the dangerous
reality of what they saw, and, perhaps, suddenly aware that the world could
never be the same again -that, maybe, it could be better, brighter, more
astonishing, more real than reality.
|
Questions 1-5
Reading
Passage 1 has ten paragraphs, A-J.
Which
paragraph contains the following information?
Write
the correct letter, A-J in boxes 1-5 on your answer sheet.
1
|
the
location of [he first cinema
how
cinema came to focus on stories
the
speed with which cinema has changed
how
cinema teaches us about other cultures
the
attraction of actors in films
|
2
|
3
|
4
|
5
|
Questions 6-9
Do
the following statements agree with the views of the writer in Reading
Passage 1?
In
boxes 6-9 on your answer sheet, write:
YES
|
if
the statement agrees with the views of the writer
|
NO
|
if
the statement contradicts the views of the writer
|
NOT
GIVEN
|
if
it is impossible to say what the writer thinks about this
|
6
|
It
is important to understand how the first audiences reacted to the cinema.
The
Lumiere Brothers' film about the train was one of the greatest films ever
made.
Cinema
presents a biased view of other countries.
Storylines
were important in very early cinema.
|
7
|
8
|
9
|
Questions 10-13
Choose
the correct letter. A, B, C or D.
Write
the correct letter in boxes 10-13 on your answer sheet.
10
|
The
writer refers lo the film of the train in order lo demonstrate
|
A
|
the
simplicity of early films.
the
impact of early films.
how
short early films were.
how
imaginative early films were.
|
B
|
C
|
D
|
11
|
In
Tarkovsky's opinion, the attraction of the cinema is that it
|
A
|
aims
to impress its audience.
tells
stories better through books.
illustrates
the passing of lime.
describes
familiar events.
|
B
|
C
|
D
|
12
|
When
cinema first began, people thought that
|
A
|
it
would always tell stories.
it
should be used in fairgrounds.
US
audiences were unappreciative.
its
future was uncertain.
|
B
|
C
|
D
|
13
|
What
is the best title for this passage?
|
A
|
The
rise of the cinema star
Cinema
and novels compared
The
domination of Hollywood
The
power of the big screen
|
B
|
C
|
D
|
|
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